NOMINEES
FILM
BEST MUSIC SUPERVISION FOR FILM:
BUDGETED OVER 25 MILLION DOLLARS
Matt Sullivan for Beauty and the Beast
Dave Jordan for Guardians of the Galaxy Vol. 2
Julianne Jordan and Julia Michels for Pitch Perfect 3
Benj Pasek and Justin Paul for The Greatest Showman
Tom MacDougall for Coco
BEST MUSIC SUPERVISION FOR FILM:
BUDGETED UNDER 25 MILLION DOLLARS
Angela Leus for Girls Trip
Susan Jacobs and Jen Moss for I, Tonya
Howard Paar for How To Be A Latin Lover
Brian Ross and Michael Hill for Lady Bird
Spring Aspers & Ron Fair for The Star
BEST MUSIC SUPERVISION FOR FILM:
BUDGETED UNDER 10 MILLION DOLLARS
Liz Gallacher for War On Everyone
Howard Paar for Before I Fall
Ian Neil for Film Stars Don’t Die In Liverpool
BEST MUSIC SUPERVISION FOR FILM:
BUDGETED UNDER 5 MILLION DOLLARS
Maggie Phillips for Ingrid Goes West
Matthew Hearon-Smith for The Florida Project
Robin Urdang for Call Me By Your Name
Joe Rudge for Patti Cake$
Howard Paar for Fun Mom Dinner
BEST SONG/RECORDING CREATED FOR A FILM
Click Here To Listen To All Song Nominations
“Remember Me”
Performed by Miguel ft. Natalia Lafourcade (Coco)
Tom MacDougall (Music Supervisor)
Kristen Anderson-Lopez and Robert Lopez (Songwriters)
“This Is Me”
Performed by Keala Settle (The Greatest Showman)
Benj Pasek and Justin Paul (Music Supervisors)
Benj Pasek and Justin Paul (Songwriters)
“Home”
Performed by Nick Jonas (Ferdinand)
Julianne Jordan (Music Supervisor)
Nick Jonas, Nick Monson, and Justin Tranter (Songwriter)
“Mystery of Love”
Performed by Sufjan Stevens (Call Me By Your Name)
Robin Urdang (Music Supervisor)
Sufjan Stevens (Songwriter)
“Mighty River”
Performed by Mary J. Blige (Mudbound)
Evyen Klean and Jennifer Reeve (Music Supervisors)
Mary J. Blige, Raphael Saadiq, and Taura Stinson (Songwriters)
TELEVISION
BEST MUSIC SUPERVISION IN A TELEVISION DRAMA
Season Kent for 13 Reasons Why (Season 1)
Thomas Golubić for Better Call Saul (Season 3)
Gabe Hilfer for Good Behavior (Season 1)
Gary Calamar for Good Girls Revolt (Season 1)
Jennifer Pyken for This Is Us (Season 1)
BEST MUSIC SUPERVISION IN A TELEVISION COMEDY OR MUSICAL
Manish Raval, Tom Wolfe, and Jonathan Leahy for Girls (Season 6)
Bruce Gilbert for I Love Dick (Season 1)
Kier Lehman for Insecure (Season 2)
Zach Cowie and Kerri Drootin for Master of None (Season 2)
Frankie Pine and Mandi Collier for Nashville (Season 5)
BEST MUSIC SUPERVISION IN A DOCUSERIES OR REALITY TELEVISION
Sam Carlin for Catfish: The TV Show (Season 6)
Nancy Severinsen for So You Think You Can Dance (Season 14)
Deborah Mannis-Gardner for The Defiant Ones (Season 1)
Clyde Lieberman and Jill Meyers for The Voice (Season 12)
Meryl Ginsberg for World of Dance (Season 1)
BEST MUSIC SUPERVISION IN A TELEVISION LIMITED SERIES OR MOVIE
Susan Jacobs for Big Little Lies
PJ Bloom for Feud: Bette and Joan
Jabari Ali & John Houlihan for Shots Fired
Carter Little & G. Marq Roswell for Soundbreaking: Stories from the Cutting Edge of Recorded Music
Greg Cahn & Jonathan McHugh for Sun Records
BEST SONG/RECORDING CREATED FOR TELEVISION
Click Here To Listen To All Song Nominations
“How Do We Get Back To Love"
Performed by Julia Michaels (Girls: Episode 609 "Goodbye Tour")
Manish Raval, Tom Wolfe, & Jonathan Leahy (Music Supervisors)
Julia Michaels & Jack Antonoff (Songwriters)
“Quicksand”
Performed by SZA (Insecure: Episode 208 "Hella Perspective")
Kier Lehman (Music Supervisor)
Solána Rowe, Dacoury Natche, & Mickey De Grand IV (Songwriters)
“Sanctuary”
Performed by Nashville Cast (Feat. Charles Esten, Lennon Stella & Maisy Stella)
(Nashville: Episode 510 "I'll Fly Away")
Franki Pine & Mandi Collier (Music Supervisors)
Jill Andrews, Gary Nicholson, Sarah Siskind (Songwriters)
“Until You Find Me"
Performed by Allison Scagliotti (Stitchers: Episode 3009 "Kill It Forward")
Heather Guibert (Music Supervisor)
Dani Buncher & Scott Simons (Songwriters)
“We Can Always Come Back To This"
Performed by Brian Tyree Henry version & Hannah Miller version (This Is Us: Episode 116 "Memphis")
Jennifer Pyken (Music Supervisor)
Siddhartha Khosla & Chris Pierce (Songwriters)
DOCUMENTARY
BEST MUSIC SUPERVISION FOR A DOCUMENTARY
Joel C. High for G-Funk
Brooke Wentz for Dolores
Steven Gizicki for FRANCA: Chaos & Creation
Aminé Ramer and Andrea Von Foerster for Charged
Gary Welch for Eric Clapton: Life in12 Bars
TRAILERS
BEST MUSIC SUPERVISION FOR TRAILERS
Heather Kreamer & Craig Thompson (Create)
for Black Panther Official Trailer (click to view)
Omar Herrera (Disney) for Black Panther Teaser Trailer (click to view)
Naaman Snell for I, Tonya (click to view)
Marcy Bulkeley (Wild Card) for Alien: Covenant (click to view)
Bobby Gumm (Trailer Park) for Baby Driver (click to view)
PROMOS
BEST MUSIC SUPERVISION IN TELEVISION PROMO
Bobby Gumm & Michael Paquette (Trailer Park)
for Stranger Things Season 2 (click to view)
Chase Casanova (Mark Woollen) for Big Little Lies (click to view)
Jordan Silverberg (Transit) for Narcos Season 3 (click to view)
VIDEO GAMES
BEST MUSIC SUPERVISION IN A VIDEO GAME
Brandon Young and Katie Byam for Call of Duty: WWII
Steve Schnur, Cybele Pettus, and Raphaella Lima for FIFA 18
Alex Hackford and Duncan Smith for Gran Turismo Sport
Ben Sumner and Glenn Herweijer for Life is Strange: Before The Storm
Steve Schnur, Cybele Pettus, and Raphaella Lima for Madden NFL 18
ADVERTISING
BEST USE OF MUSIC IN A SINGLE ADVERTISING SPOT
Peymon Maskan for Apple "Stroll" (click to view)
JT Griffith for Nike "Skates" (click to view)
Chances With Wolves for Samsung "I Love You" (click to view)
Jonathan Wellbelove for Sonos "From Heartbreak To Healing" (click to view)
Daniel Kuypers for Windex "The Story of Lucy" (click to view)
BEST USE OF MUSIC BY A BRAND
Apple
GoPro
(Example 1 - click to view)
(Example 2 - click to view)
Nike
(Example 1 - click to view)
(Example 2 - click to view)
Orbit
(Example 1 - click to view)
(Example 2 - click to view)
Samsung
There are 3 sample links provided for for each Brand nominee. Please feel free to visit their Youtube channels to seek out more uses of music by these brands that were released in our eligibility period of November 2, 2016 through December 1, 2017. Please only consider material released in that period for this award.